ANDRE GALLUZZI IM GARTEN DOWNLOAD

It just sounded better. Both the musical and the visual aspect of the label interested me, as well as how the label functioned internally. Albums, singles, remixes—do we need them all? In he started working for the renowned record distributor Neuton, where he met Paul Brtschitsch. The compilation was also supposed to reflect all the different forms of techno, house and other genres that get played over the course of a weekend club night. In the summer of I started licensing the mix without having a clue what I was doing. If I had been alone, I would have had to rent an office and pay for electricity, computers, furniture, internet, a graphic designer and all sorts of other stuff.

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I organized for her the times when she could do her field recordings in the club—that is, set up her contact mics without annoying anyone.

But then eventually the time came and that made producing and DJing much easier. View all similar artists. It soon became clear however that we only wanted portraits on the mix CDs and that Sven Marquardt should take them. Known for its innovative and unconventional approach to electronic music, the label continues to be supported by some of the scene's foremost players. It took a while until I actually listened to the music.

ANDRÉ GALLUZZI

I wanted to try that with other artists as well. It actually took a while before I made decisions regarding the artwork.

What today is the Berghain floor was covered in coal dust, though Panorama Bar had already been gutted and cleaned. Running order Running order Most popular.

At the time, Nick and myself were not much involved in listening to and articulating the needs and desires of the musicians. And then there was the Fiori bouquet collage made up of screenshots taken from the video recording of the ballet Shut Up And Dance! Albums, garetn, remixes—do we need them all? Descubrir Ver todas las ciudades.

ANDRÉ GALLUZZI -

And then, all of a sudden, the club was scheduled to open that fall. Nick had tons of work with the label and was looking for somebody to help him with the workload. This website uses cookies to gzlluzzi your experience. The single and EP versions always included variations of the LP cover design.

Currently, he released his latest EP Submerge on Ovum. Famed for his intoxicating hour sets, Galluzzi became a regular Berghain and at Amnesia in Ibiza for Sven Vath's Cocoon party around this time also.

Of course, everything had been planned and prepared, but the details somehow turned out… differently than expected. Things were only getting worse. It worked so well, and the concept gave the package its whole identity. Everyone was just traumatized by the old OstGut club having been closed after such a short amount of time.

For me, Berghain was a gay club, not necessarily a place known for music. A year later inOstgut Ton was label of the year on Resident Advisor. During that time he gallzzi enjoyed residencies at some of the world's best known clubs, including Ostgut, Berghain and Tresor.

Even though back then it was all much smaller and done at a more leisurely pace, the office was still a creative microcosm that allowed for making connections and using these connections for new projects. The All-American Rejects on playing by their own rules agrten breaking the 'anti-aesthetic' aesthetic spotlight By okspud1 12 Aug 3: I did it, but only under the condition of not discussing the club.

The question was how things should continue. For most people, Ostgut Ton is still purely a techno label! At the same time I also worked at Groove magazine and then eventually went to work for the label Morr Music in Regardless of his busy schedules, he always makes time for creativity and continues to push boundaries to surprise yet another generation of gatten floor dwellers. The information is just swirling around in your head. Length 13 tracks, Things can easily go wrong when it looks like the boss is trying to push his way into ander limelight.